JUSTIN LOWMAN / PARTHENIA PROJECTS
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact

"Bird's Eye," 2009
Architectural Model
Black foamcore, assorted toys, headphones, iPod, acrylic dome, tumbled glass, Lee filters, and spray paint on sonotube, found fiberglass disc, and acrylic glass
TRT audio: 9.6 hours 
48" x 48" x 12"

An imaginary architectural proposal to be situated at the top of Baldwin Hills Scenic Overlook in Culver City, Bird's Eye is a model that proposes a public, performance space most suitable for music.  It's shape and volume proposes to maximize sound and audience/performer relations.  As proposed, the performance is in the center and the sound and view reverberates outward into the round. As an alternate form of presentation, it resists hierarchy by eliminating the stage and the proscenium. Because the architecture is largely transparent, sky above and city below will become part of the expanded atmosphere of the performance space.
Previous
Next
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact