JUSTIN LOWMAN / PARTHENIA PROJECTS
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact
Picture
For OPaf 2020 , The Homer Project with Parthenia Projects presents concepts of art-making/living to Angel’s Gate Park in order to complicate notions of private/public space.  By exploring specific aspects of the park’s vicinity, uniquely the proximity and presence of a major US shipping port as well as the Korean Friendship Bell, both potentially complex symbols of socio-physical relations, The Homer Project with Parthenia Projects will construct onsite a structure of domestic, backyard vernacular, a gazebo. This particular gazebo, derived from the footprint of a neoclassical Belvedere (literally, beautiful view), will frame the neighboring port and bell, audio-visually, while also inviting opportunities to experience other less obvious aspects of the surroundings, for example, an appreciation for such things as mustard grass growing underfoot.  The intent is to create a temporary, multi-sensory  built-environment that frames certain sights and sounds allowing space for individual contemplation as well as social interaction, much in the same way we might approach and experience the Korean Friendship Bell, itself a gathering place on a beautiful site that also symbolizes such human relations as friendship, a construct that, by definition ruptures private and public space.
The images below are site studies for Belle View.
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact