JUSTIN LOWMAN / PARTHENIA PROJECTS
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact
My work attempts purposeful connections and distinctions between art and architecture through examination and response to the given light and material conditions of a specific place. Subsequent interventions follow on my part via electrical light and sound sources and other reflective/absorptive surfaces---a combination of found, constructed, and painted elements. Such a process synthesizes site and object into a complete installation that both questions influence of forms one to another as well as seeks perceptions of spatiotemporal presence within the site itself.  The latter proposes engagement with more remote concepts such as time and sublimity, ideas known through observed concrete records---light passage, material decay, and previous occupant’s marks and artifacts---and whatever physical sensations may register in the viewer’s body.  Color, timbre and texture often provide focus.  Moreover, from such a critique of and choreography within the site, certain results of the installation process often lead to autonomous objects that when displayed elsewhere refer to the original place as much as they develop new significance within the newly re-presented context.  This displacement between presentation and re-presentation is toward the concern of perception as a function of perspective in terms of position and duration.
  • Justin Lowman Artworks
    • 2022 >
      • Threshold 12132022
      • Wall
    • 2021 >
      • Blue Sky/Wall
      • Belle View @ OPaf
      • Windows: Double-Takes, Phase 4, Part 4 at The Homer Project
    • 2020 >
      • Flatscreensavers
      • Windows: This Is Not An Opening, Phase 3, Part 2 at The Homer Project
    • 2019 >
      • Windows, Phase 2, Part 3 at The Homer Project
      • Windows, Phase 1, Part 1 at The Homer Project
    • 2017 >
      • May 18, 2017 - 2:06pm-3:04pm
    • 2016 >
      • Waiting Room (Bendix Building)
    • 2015 >
      • Untitled (Belvedere Temple)
      • Agency (SD 601)
      • Sliver Angles
    • 2014 >
      • Pixil Panes >
        • Exterior (day light)
        • Interior (day light)
        • Interior (twilight)
        • Interior (night light)
        • Exterior (night light)
      • Waiting (Violet Zoom)
      • Station 1.1 (stardust...something blue)
      • Incognito 10
      • Filter Scans
      • Tissue Scans
      • Three Light Study
    • 2013 >
      • Knot Site (Barn/Fence)
      • Reeded Glass Study
      • Art Bingo (Free Space)
      • Arcade Specters (Revisited (Recto))
      • Arcade Specters (Revisited (Verso))
      • Knot Site (batmantaray)
      • Anarchitecture Model
      • Folded Form
    • 2012 >
      • Studio 50 >
        • Work Details
        • Exterior @ Twilight
        • Northeast Wall
        • Northwest Wall
        • Southeast Wall
        • First Actions
        • Found Conditions
        • Studio 50 Statement
      • Valent Valance
      • Knot Site (Double Dutch (Barn Rays))
    • 2011 >
      • Prism Study
      • Double-Dutch (Japan)
      • Shade Arbor
      • Franklin's Kite
      • Tools of the Trade
      • Arcade Specters
      • Racked Angles (Wave Wash)
      • Breakers
    • 2010 >
      • Color Disorders (Converse)
      • Spiral Green Void
    • 2009 >
      • Richter Scales
      • Pacific Objects >
        • Jaws
        • Nightingale (Fort Leaton)
        • Air Traffic
        • Reflectors >
          • Emerald
          • Ruby
      • Blackwelder >
        • Bird's Eye
      • B3
      • Two and Two Makes Three >
        • Untitled (Columnar Partition)
        • Untitled (Phantom Finishing Move)
      • eightandahalfminutes (the wait)
      • Firewater (In Black and White)
      • Orient by Oxidant (Our Time is in the Alphabet) >
        • Raymond Gallery >
          • Solar PLEX
          • Spight and Lace
        • Project Room >
          • San Angeles
          • Flickers
          • Six of One
          • Half A Dozen
          • Levee
          • Blue Whale
      • Objects >
        • Untitled
    • 2008 >
      • Light Studies
      • Divisibilty/Invisibility: Revision >
        • Space 1
        • Space 2
        • Space 3
      • 18 Happenings in 6 Parts
      • Willful Futility
  • Parthenia Projects
    • About
    • Current
    • Past >
      • Belle View @ OPaf
      • OPaf 2020
      • Matthew L Grover / MLGXYZ
      • Madison Brookshire
      • New Rock
      • Station
      • No Wake (Dance the Orange)
      • Barn Rays >
        • The Installation
        • The Book
  • dayoutlast blog
  • CV
  • Links
  • Contact